Three lives. Buffalo detective Lt. Cristofuoro, whose catatonic wife is in hospital, takes a special interest in Eric Komenko, a juvenile who killed his parents and will be freed on his 18th birthday. So has Lori Cranston, 15 or 16, her body fully developed and the object of lust by her boss and her mother's new boyfriend. She keeps a scrapbook about Eric, and when he's released from custody, she hides in the backseat of his car, insisting he take her with him on a trip toward Albany where he's planning to meet a girl. Cristofuoro is certain Eric will kill again, so he follows. It's clear early on that Cristofuoro's probably right, but what's Lori's motivation?

A British design executive, who seemingly has everything going for him has his life totally changed when a refrigerator falls from an aircraft and lands on his wife. He decides to getaway from it all by taking a trip to Australia. On his bus, he meets a wild group of eccentrics, including a woman who has stolen cash from her drug-dealing boy friend. As the movie moves along, we learn further that the executive is constantly accident-prone and drawn into unlikely situations. The film's title refers to a new design color that Roache is trying to develop.

Hide and Seek revolves around a widower and his daughter. They move to upstate and Emily soon creates an imaginary friend named Charlie... but this act takes an unexpected and terrifying turn, where her father and doctor start to worry about Emily's gruesome habits.